The Queen Is Dead
16 吉他谱
0 求谱
0 拨片
The Queen Is Dead专辑介绍
这早已是一张公认的经典之作，如果说《the queen is dead》是有史以来最伟大的摇滚专辑还略微有点勉强的话，那它也一定是上世纪80年代最出色的音乐专辑。第一首专辑同名歌曲结尾的近三分钟的吉他独奏，紧张快速却又极富旋律感，Johnny Marr的吉他天赋在这展现的淋漓尽致。第二首《Frankly, Mr. Shankly》虽然旋律简单，却百听不厌，Morrissey的嗓音温暖亲切，似乎是一位大哥在向你绘声绘色的讲他的经历。《There is a light that never goes out》无疑是乐队最有名的单曲，歌曲的亮点依然是结尾那略带欢快的节奏旋律和悲伤的唱调，似乎史密斯早已看透了世俗，一番无奈的感慨和宣泄。
这张专辑在滚石杂志选出的500张历代最强专辑中排名第216位。
Meat Is Murder may have been a holding pattern, but The Queen Is Dead is the Smiths' great leap forward, taking the band to new musical and lyrical heights. Opening with the storming title track, The Queen Is Dead is a harder-rocking record than anything the Smiths had attempted before, but that's only on a relative scale — although the backbeat is more pronounced, the group certainly doesn't rock in a conventional sense. Instead, Johnny Marr has created a dense web of guitars, alternating from the minor-key rush of "Bigmouth Strikes Again" and the faux rockabilly of "Vicar in a Tutu" to the bouncy acoustic pop of "Cemetry Gates" and "The Boy With the Thorn in His Side," as well as the lovely melancholy of "I Know It's Over" and "There Is a Light That Never Goes Out." And the rich musical bed provides Morrissey with the support for his finest set of lyrics. Shattering the myth that he is a self-pitying sap, Morrissey delivers a devastating set of clever, witty satires of British social mores, intellectualism, class, and even himself. He also crafts some of his finest, most affecting songs, particularly in the wistful "The Boy With the Thorn in His Side" and the epic "There Is a Light That Never Goes Out," two masterpieces that provide the foundation for a remarkable album.
这张专辑在滚石杂志选出的500张历代最强专辑中排名第216位。
Meat Is Murder may have been a holding pattern, but The Queen Is Dead is the Smiths' great leap forward, taking the band to new musical and lyrical heights. Opening with the storming title track, The Queen Is Dead is a harder-rocking record than anything the Smiths had attempted before, but that's only on a relative scale — although the backbeat is more pronounced, the group certainly doesn't rock in a conventional sense. Instead, Johnny Marr has created a dense web of guitars, alternating from the minor-key rush of "Bigmouth Strikes Again" and the faux rockabilly of "Vicar in a Tutu" to the bouncy acoustic pop of "Cemetry Gates" and "The Boy With the Thorn in His Side," as well as the lovely melancholy of "I Know It's Over" and "There Is a Light That Never Goes Out." And the rich musical bed provides Morrissey with the support for his finest set of lyrics. Shattering the myth that he is a self-pitying sap, Morrissey delivers a devastating set of clever, witty satires of British social mores, intellectualism, class, and even himself. He also crafts some of his finest, most affecting songs, particularly in the wistful "The Boy With the Thorn in His Side" and the epic "There Is a Light That Never Goes Out," two masterpieces that provide the foundation for a remarkable album.
The Queen Is Dead (2011 Remastered Version)
Frankly, Mr. Shankly (2011 Remastered Version)
I Know It's Over (2011 Remastered Version)
Never Had No One Ever (2011 Remastered Version)
Cemetry Gates (2011 Remastered Version)
Bigmouth Strikes Again (2011 Remastered Version)
The Boy With The Thorn In His Side (2011 Remastered Version)
Vicar in a Tutu
There Is A Light That Never Goes Out (2011 Remastered Version)
Some Girls Are Bigger Than Others (2011 Remastered Version)