Juno

Key for whole song is F natural minorInitially, I let the guitar riff lead the bar layout (New bar starts on the hard 'F' notes (7th fret 7th string)). This causes some shortened and lengthened bars (As is standard Tesseract), and syncopates the drums to compensate. But I feel like the drums should always lead the bar layout, so the straight 4/4 time is the first written. I've included both feels, with the guitar driven notation on the second repetition, because i'm not sure which one is correct. The same with the "chorus"For drums, i've notated everything and included the fills, but it's not a 100% accurate transcription, especially the specific drums used in the fills (The rhythm should be very close). Also, the accentuation on the backbeats could probably use more work, and maybe I used a china instead of a crash cymbal or something.5th of F for that siq power ch0rd feelingGuitar led feel starts herenote the eighth note lengthened bar to make the F (7th fret) note begin on beat 1 of the next barUse medium-heavy palm mute for 7'th string. Played moderately staccato compared to the later playthroughs of this riffBass accentuates most of the heavy F notes (7th fret 7th string)Pretty much previous guitar riff but with more ghost notes/rest notes in place of the Low F notenote sure about this note. It leads you to think it moves up, but dan sings the same note as "of", but playback in GP sounds offhi-hat polyrhythm/syncopation starts hereReverb tails of "side"Crash hits every quarter note, snare every beat 3, and kick copies the accented guitar notesLots of reverb on Dan's vocals in this sectionI think there's a soft harmony here with the next coming note on the same string, but the dominant is this noteReverb tail of "fore"reverb trail of "abort"keyboard plays the harmony note, bit of a tricky one to pick out (which is the next note: 14th fret)This is one long held note that gradually builds in volume, but GP doesn't take kindly to that, so I made ghost notes to hit the note again instead of one long tie