标题:6. Bossa Nova. Variation #4
副标题:Chapter 2 "Bossa Nova"
制谱人:Groundhog
附注:
Figure 1. This pattern is very useful at the singer's
pause or at the end of a cadenza, although you can
play it through the whole song.
Figure 2. You can also syncopate by a 16th note.
Musical exemples:
Example 1 is based on a asmba pattern, with an 8th
note syncopation, and uses "variation #4" in the last 2
measures. Again the chord changes are pretty
common in bossa nova songs and you can use them
in many different tunes of the Brasilian music repertoire.
Example 2 Here we have another example of a
reharmonised I-VI-II-V turnaround. Its rhythmic pattern
is based on "variation #4" with a 16th note
syncopation between the 2nd and 3rd measures.
Notice that the harmony changes a 16th note before
the syncopated note.
Example 3 applies the pattern "variation #4" to the last
16 bars of "Samba de uma nota so" ("One Note
Samba") by Antonio Carlos Jobim and Newton
Mendonca, using rests on the first beat of the
measures and on the bass line. Notice that the chord
changes in the last beat of the measure.
Example 4 is a tranacription of the rhythm guiutar part
played by Joao Gilberto on the introduction of the song
"Esse seu olhar" (Tom Jobim), as recorded on the
album "Joao Gilberto" EMI-Odeon, 1961. It uses the
bossa nova pattern "variation #4" in the last two bars.节拍:Moderate ♩ = 95
和弦:C6add9 D9 Dm9 Db9 C9M/G Bbm6 Am6 Am5-/13- Abm9 G9 F#m7add11 F7/11+ Bm7add11 Bb7/11+ A7M Eadd9/G# G7add13 F#7add13 F7M(6add9) E(add9) F7M Abm7M/5- Cm7/G Gbm5-/13- G13/F G7/13-/F Gm7/F C7(9-)/E Gb7/9+
音轨:
- 念痤骊 1 - 尼龙弦吉他 Acoustic Guitar (nylon)
注释:Figure 1Figure 2Example 1Example 2Example 3Example 4. "Esse seu olhar"
