haavbline 【爵士課堂】吉他：Wasson - 藍調音階之外...使用Half-Whole音階“Outside” the Blues Scale... Using the Half-WholeThis video lesson will cover how to use the "Half-Whole" also known as the "Dominant Diminished" scale on the guitar neck and how to practice hearing lines around dominant seventh chord qualities over a typical 12-Bar Blues progression.THE HALF-WHOLE SCALE:The Half-Whole scale or sometimes called, “Dominant Diminished” is an excellent scalefor Dominant Seventh chords. It should not be confused with the Whole-Half or, “DiminishedScale.” The Diminished Scale is better applied upon a Diminished Chord, where the Half-Whole, (Dominant Diminished) is better applied with Dominant Seventh chords.The initial movement of intervals in the Half-Whole gives us a “b9” interval and a “b3.”The altered 9th makes this scale perfect for Dom.7th chords with a “b9.”The “going outside” sound of players like; “Larry Carlton,” “Mike Stern,” and “Robben Ford,” can be largely associated to their use of the Half-Whole scale. The major scale and their modes offers only seven notes, however the Half-Whole offers us eight notes. There are dozensof patterns for this scale, but like you may have noticed with other scales, you don’t have to learn them all to begin making some cool music.Half-Whole Scale PDF，Blues Jam Chart PDF & mp3 jam track: http://pan.baidu.com/share/link?shareid=129082&uk=2383021194