附注:
On the guitar, the right hand patterns are basically
simulations of a samba ensemble rhythmic section.
Notice that the syncopation is usually down with the
right hand fingers 1, 2 and 3 (playing the top voices of
the chord), while the bass note (played with the right
hand thumb), comes on the beat.
The bass line keeps switching between the root and
the fifth of the chord, and it's a better choice to play
the fifth below the root. If the bass note is already
placed on the 6th string, you may keep the same note
for the whole measure.
You can practice these patterns and variations the
string with your left hand. Try using "6/9" and "m9"
chords, II -- V progressions or turnarounds.
It's also a good idea to practice away from the guitar,
clapping hads on the high vouces and tapping the low
voices with your foot.
Musical example (Figure 2) applies the basic samba
pattern to a typical samba progression
